Sophie Passmann shows at the Berliner Ensemble why her fans have pretty good reasons to think she’s the coolest person on the planet.
It’s not entirely fair, but somehow unavoidable, to briefly think on the occasion of the recent premieres at the Berliner Ensemble that the highly professionally run theater is preparing for a future as a commercial entertainment company in view of the impending cuts in the cultural budget. Landlord Oliver Reese works his way through the high-performance boulevard with Michael Frayn’s indestructible 1980s outfit “The Naked Madness”.