“All for one”: Box office debacle for the Woke and Féminist version of “Three Musketeers”

« All for a is as necessary as inclusive writing ». This is how Eric Neuhoff, film critic at the Figarodescribed the latest film by Houda Benyamina, in theaters since January 23. In this umpteenth adaptation of Three musketeers of Alexandre Dumas, the director of Divines (2016) Mases masculinity petrius of stereotypes from D’Artagnan, Athos, Portos and Aramis. And in their place, we discover new heroines: Oulaya Amamra, Sabrina Ouazani, Déborah Lukumuena and Daphne Patakia.

Trailer – All for a (2025)

The scenario is modeled on the adaptations of 1961, 1973, 1989, 1993, 2001 and of course on the last two of 2023 with François Civil, Vincent Cassel and Louis Garrel headlining. « They are still three and are responsible for protecting the queen. Joins them a fascinating Morisque which they adopt and which will become their D’Artagnan. Here is the work »sums up a feather trait Éric Neuhoff. Only one (and immense) detail will therefore mark a difference: the three protectors of Anne of Austria will have to disguise themselves as men to accomplish their exploits. Bandered chest, false beards stuck on the chin, false mustaches, wigs … This debauchery of postages and make -up will allow them to integrate the glorious company of the Musketeers of King Louis Le Treizenh.

Catastrophic beginnings at the box office

This (original?) Idea does not seem to have had the expected effect on criticism and today the general public. Éric Neuhoff, first of all, does not seem to have tasted this very XXI proofreading^e century of Dumas Father’s work: « The film waded, does not know what foot dancing, hesitates between western spaghetti and vaguely feminist pamphlet, continues sequences mounted in va-mail and songs that would like to bravery, all sprinkled with Anglo- Saxonnes who arrive there like hair on the soup. ”

 

« The film waded, does not know on what foot dancing, hesitates between western spaghetti and vaguely feminist pamphlet ”

Éric Neuhoff

The general public could have contradicted criticism. That Nenni !, The first frequentation figures, often cruel, do not save our feminized Dullists either. In five days of operation, All for a Totate only 9,407 entries for 155 copies. Enough to deprive him of a place in the top 30 of the French box office this week, while his production required no less than 10 million euros in investment.

But that’s not all. At the end of his first day of exploitation in France, The three musketeers In Woke sauce only totaling 1271 entries out of 564 sessions, an inexpensive average of two spectators per session. As a comparison, Play with fire With Vincent Lindon, released the same day, brought together 20,252 spectators in one day. It is twenty times more when its provisional budget was announced at 4.5 million euros.

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Allociné removes the spectators of the film

And as if the frequentation figures were not enough to classify All for a In the rank of the biggest French “flops” in recent years, another misfortune has been dedicating to cinematographic gemonies what we already have as a bitter failure. « Due to an abnormally high influx of extreme notes (0.5 or 5) and new user accounts, we have made the exceptional decision to temporarily suspend the display of the film’s spectator note »announced Allociné on its site. An extremely rare fact. As rare as seeing a Viscounte from Bragelonne …

 

« The scenario sins by its weakness. It goes in all directions, multiplies the dialogues engraved in marble. We go for no valid reason from black and white to color »

Éric Neuhoff

Allociné associates this « Handling of votes » to opinions shared on social networks. X (formerly Twitter) has indeed become a playground for the many Internet users who pour their hatred into negative comments. Without too much surprise, most of these detractors attack it in « Wokisme » supposed to the film. However, the abundance of 0/5 stars was overcome by numerous glowing comments which granted it the maximum note. In Le Figaro, our criticism Éric Neuhoff gave him a pointed 0/4.

« The scenario sins by its weakness. It goes in all directions, multiplies the dialogues engraved in marble. We go for no valid reason from black and white to color. We fill the gaps with slow motion. Comic interludes are not funny. Duels are crawl »he wrote. Before concluding, with a touch of irony: « It would have been better to show how difficult it is to be a man, deconstructed or not. »