They enjoy the Latin Kalavera orchestra rhythms at the dinner

Let’s come, friends!Kalavera Orchestra announced from the first moment, a group that seized Friday of the Plaza de las Artes at the National Arts Center (CENART). Congas, Timbales, Maracas and Campana made known that the Latin rhythm of the sauce was the guest of the day for anyone who would be carried away with the percussions, the instrument that is linked to the heart, feet and hip.

Everyone tells me black, weeping It was one of the first manifestos, accompanied by the rumbling of the trumpets that transformed the Oaxaca anthem into a subject of the danceable genre of African and Caribbean root. I am like green, crying, spicy, but tasty chili.

The concert was part of the proposal of the third edition of the percussive festival at the CENART, which began on Thursday and concludes today.

The last rays of the afternoon deployed a pink filter in the environment when the Mexican group gave the first rhythmic blows to the microphone. The public concentrated on the stairs that borders the library, but soon there were semi -vales, while the movement accumulated in front of the outdoor stage. The growing moon began to shine on the white roof.

Without kalavera, there is no joythey remembered the couples who moved their hips and with eloquent dance steps they knew to the ground that joy reigned. At some point at night the balancing was encouraged and their arms perched on the neck of the other for a more loving moment. Later, there was another change of rhythm, with cumbia Moon remembrance. The public did not stop dancing and afraid that music would cease another, another. The concert ended almost at 8 p.m.

The third edition of the Percusive Festival: National Meeting of Percusions seeks to spread the contemporary music scene of these instruments. Programming includes workshops, conferences, master classes, sale of instruments and four days of free concerts.

With the mission of moving the skeleton, Kalavera Orchestra, a group created by the Conguero Uzziel Ismael, is characterized by the interpretation of the sauce to the old way. It is made up of Conga, Timbal, bongo, keyboards, low, two trumpets, two trombones and two vocalists. Last March they released their second album, Timewhich includes eight themes.

On Thursday and Friday Uzziel Ismael offered the master class Latin rhythms: an immersion to multipercusion, at the Higher School of Music.

Armando Hidalgo, part of the Festival’s coordination team, said in an interview that the meeting involves a very large community of musicians that includes classic, contemporary and Latin percussionists, for example. We seek to reach more corners, other realities of music, not just the classic. It is also important to show the work on our instrument to another type of audience. The presence of the sauce demonstrates a rhythmic part where the percussion section is a specific basis.

In the first edition of the festival around 950 people attended, for the second edition it doubled to 2 thousand 106 and expect the concurrence number to be greater in the 2025 edition.

Today, the last day of the Festival, the Choir of the Musical Initiation Center Ahuehuetes and the Mexican Orchestra Tertulia will offer the Mexican Music program and something more at 11 am in the Plaza de las Artes. In the Blas Galindo Auditorium, at 1:00 p.m., the closing concert will be presented with the Children’s and Youth Assembly, the Adult Assembly and the Permission Assembly of the University of Sciences and Arts of Chiapas.