Through a vehement text, the actor’s daughter and main heir reacts to her brother’s public and legal attacks. She describes a young man who wants to “kill the father”.
“Closed homes, closed doors, possessions jealous of happiness. » Thus Gide described, in Earthly Foodsthe principle of the family. The description also corresponds to the sad posthumous chapters of the Delon saga, which leaves Douchy and heads towards the courts. To her brother Alain-Fabien Delon, who accuses him of having abused their father to make him rewrite a more advantageous will shortly before his death, Anouchka Delon, 35, responded with a long text on Instagram.
In order to provide distance and, perhaps, to attenuate (a little) the brutality of his lines, the response initially takes the form of a tale. Critics fly there in squadrons. “Once upon a time, in a country not so far away, there was a very, very angry little boy. Like Brutus or Judas, this kid pretending to be a son, a brother, undertook to stab his only sister in the back, as well as to betray the sacred ties of blood in the public square, a popular court no less. »
Retouch your will
After requesting the annulment of the will in September, Alain-Fabien Delon hopes to see “inheritance unworthiness” retained against Anouchka Delon. He took legal action in Switzerland to obtain the suspension of the execution of the will, as he announced on RTL on Thursday morning. He says he wants to see his sister removed from the Delon inheritance. A hearing date is set for March 9, 2026.
On Instagram, Anouchka Delon describes “a chimerical, slanderous and paranoid scenario fueled by artificial paradises”. For her, her brother, four years her junior, has not finished with Oedipus. And would like “kill the father once and for all by dancing on his grave with indignity. » What, according to her, to destroy “a myth that a sacred monster took a lifetime to build”.
51% owner of Alain Delon’s Swiss company and sole heir to moral rights – a provision at the heart of the cadet’s legal action -, she announces that she wants “kiss with force [s]we play the role of guardian of memory”. She regrets a “immodest unpacking in the face of the difficulties of millions of French people”. Who, from Alain Delon, prefer to remember the Clan of the Sicilians than the shattering of his own.
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