‘Lessons from the ruins’, Bregola’s hymn to writing proposed for the 2026 Strega prize

A poignant prayer – a hymn – to writing, poetry, literature and both manual and intellectual work. It is ‘Lessons from the ruins (reading, writing, living)’, the book by Davide Bregola published by Avagliano editore, proposed for the 2026 Strega prize by the writer Emanuele Trevi. “The book tells – with the language of memory and therefore sometimes exact, sometimes lost from life – the manual apprenticeship and the literary apprenticeship of the protagonist – writes Trevi in the motivations with which he presented the book to the most coveted literary award – that is, the work carried out in the years of his youth as a seasonal worker, door-to-door book seller, railway maintenance worker, volunteer at the psychiatric hospital and the association with two writers and two poets – Vitaliano Trevisan, Marosia Castaldi, Ivano Ferrari and Umberto Bellintani. Apparently lateral voices that remind us how much literature is an act of resistance in opposition to homologation. A book that does not want to make a fuss but which, like the ruins it describes, is destined to remain, to settle in the conscience of anyone who believes that something precious, lasting and rare is often found in authors, works and existences outside the cone of light, which apparently leave no traces”.

In the background there are the sandy edges of the Po, there is the province, with its countryside to cross by bicycle if the money in your pocket isn’t enough for petrol, there is a publishing and literary world that no longer exists today, there are thirty years that pass in the blink of an eye. These are the crucial years of growth and training of the protagonist, a true outsider who works on a temporary basis for the railways but wants to write. Who then works as a door-to-door salesman, as a seasonal worker, as an event organizer, but he always wants to write. There were some encounters, in different periods of his life, with poets and writers poorly illuminated by the dim lights of the limelight. They themselves have kept themselves hidden and it seems they have little or nothing to do with this nervous planet. But they dug a furrow inside him. They are authors of reference for the young writer, out of fashion, far from the market, but they will be fundamental for his existence and maturity. From the disorder of memory, the stories of these encounters emerge scattered – mixed with the rest of the life that has gone on in the meantime – yet shining, pregnant even when they touch on desperation and ruin. The book is a tribute to secluded writers, those who apparently do not move a leaf and instead end up changing the lives of readers. It is the attempt to connect with one’s dream. Ultimately, it is an invitation to each of us to find our own path and the guides best suited to our character and ambitions. With a light and painful writing, Davide Bregola gives us a magnificent memoir, written with the grace of inspiration.

Davide Bregola was born in Bondeno, in the province of Ferrara, and lives in Mantua. He won the Tondelli Prize for fiction (1999) with the collection of short stories ‘Viaggi e correspondenze’. In 2002 he dealt with migrant literature in Italian with the book ‘From here towards home’ and in 2005 with ‘Catalogue of voices’ he gave the floor to migrant poetry. He also wrote children’s books. He collaborates with the cultural pages of some newspapers, holds creative writing meetings and seminars. With Avagliano editore he published ‘The secret life of mammoths in the Po Valley’ (Chiara Prize, 2017), ‘Fossils and sturgeons. News from the houseboat’ (2019), and ‘In the ideal places for camping’ (2022) with which his ‘Plain Trilogy’ ends.

By Editor