“But it’s slush!” » Royal blue velvet dress and heeled boots, Audrey Fleurot leaves her white tent to join the film set of “The Countess of Monte Cristo”, in the middle of the snowy fields of Tocnik, a small village in the Czech Republic, located 50 kilometers southwest of Prague. Actor Éric Elmosnino is waiting for him. It’s 4 p.m. on this gray afternoon in January 2026. The mud sticks to the actors’ shoes, the drizzle lashing their faces and, in two hours, it will be dark. The hundred people, the six semi-trailers and the Algeco (modular constructions) hosting the team and the equipment of this blockbuster invest these places for three days, in order to shoot a key scene of the sixth episode of the eight that will make up the series.
It will be broadcast next fall on TF1 and Netflix. In the morning, at 4:30 a.m., two buses carrying 70 extras left Prague for this town overlooked by a 14th century castle. They are now dressed as Parisians or soldiers from the 1830s. In front of Fleurot and Elmosnino stands a replica of a Chappe telegraph, a means of communication deployed from 1793. Director Djibril Glissant asks for silence: “Stand by! Action ! »
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