‘Dillortan’, Clambagio’s seventh novel between ethics and historical memory

With the publication of ‘Dillortan – Sometimes violence pays?’, Claudio Bianchetti, aka Clambagio, reaches his seventh novel, confirming an expressive maturity already celebrated by twelve literary prizes, obtained by ‘Ironta – Pazzo per Victor’, and by the acclaim of figures such as Dacia Maraini, Franco Manzoni and Luca Liguori. The work, a historical-uchronic novel, courageously addresses the tensions of a border territory, inspired by the events that marked Alto Adige in the 1960s. The author places a moral question at the center of the story that runs through the entire volume: “How much and when is it permissible to respond to violence with violence?”. It is Clambagio himself who explains the genesis of this reflection: “‘Dillortan’ conveys the atmosphere of fear and revenge of an oppressed people who have never been subdued. I wanted to investigate that precise moment in which political pressure becomes revolt, trying to understand what remains of humanity in the heart of such a profound tension”.

The novel follows the events of the Sad rebel movement and its enigmatic leader Dominus, but finds its balance in the love story between the young Weibi and Gino. “Inspired by the attacks linked to the South Tyrolean question, I chose to intertwine reality and imagination to give life to a narrative that surpasses historical time”, continues the author. “The places and characters are deliberately fictional so that this story, although rooted in our past, is accessible to all and becomes a universal story of reconciliation and rebirth.” With this seventh publication, Clambagio continues his commitment not only as a narrator, but as a cultural animator of the Bolzano area, where in 2025 he promoted the first national literary competition ‘City of Bolzano’. In ‘Dillortan’, writing becomes an instrument of historical and civil investigation, leading the reader to confront the identity of an oppressed people and the dilemmas of their freedom.

By Editor