Trained at the conservatory, many soloists adopt the codes of pop, electro and comedians to reinvent the recital. Between now and June 2025, they will perform to sold-out audiences in the biggest rock venues in France. Investigation into a phenomenon which, thanks to algorithms, crosses all borders.
Montmartre. This November 4, there is excitement in front of La Cigale, the temple of rock, pop and electro. A trendy crowd, groups of friends, couples of all ages… A colorful crowd, which is unusual for this place. That evening was pianist and composer Tony Ann’s sixth concert in Paris in a year. Each time, the gauge climbs. Each time, places are snapped up. « It was in Paris that I gave my very first solo concert in November 2023 », says this 26-year-old Chinese-Canadian
. At the merchandise stand, the public buys not a cup but its scores for 20 euros, including that of its hitLost . With his Timothée Chalamet look and his 6 million subscribers on social networks, Tony Ann is a phenomenon. On Instagram, where the algorithm suggests music to decorate posts, its cover ofNow We Are Free anthem of Gladiator by Ridley Scott, comes in fourth position ahead of the world hits
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