Best of all right now|According to the viewer, Pedro Almodóvar’s The Room Next Door sucks into a wonderfully remarkable atmosphere.
Color Known for his character galleries and energetic films Pedro Almodóvar It is a master to carry the viewer from one mood to another, even at a breath -taking pace.
However, in recent years, the Spanish director has begun to lower the rounds. The quick tempo has been replaced by fascinating serenity.
A great example of this is Almodóvar’s latest and at the same time the first English movie The Room Next Door. It tells about a former war correspondent of the terminal phase Martha, who plays Tilda Swinton mixed Julianne Mooren performed by an successful writer Ingrid.
They have not seen each other for years. Ingrid visits Martha in the hospital, and the old friendship is condensed again when Martha asks Ingrid to spend the last moments of her life in a remote rental house where she intends to end her life.
Movie According to the viewer, it sucks into a wonderfully remarkable and dreamy atmosphere where women go through their lives. Despite the presence of the impending death, the film is full of consolation and gentleness. It’s like Ingrid’s warm lap, to which the viewer Martha wants to curl up.
Director Pedro Almódovar has once again tired of the colors of his film.
The film is also a stunning aesthetic pleasure as it floods the color symbolism of the Almodóvar, above all, white, red, blue and green play. The director has never spared colors, but it feels as if their meaning has grown and refined over the years.
Life fades into Martha in a white glass house, which looks as fragile as he himself. In the world of Almodóvar, red is the color of passion, courage and love. It is represented by Ingrid, which provides heat and care in the film, and is also evidenced by red hair and lips.
In the same red chair, Ingrid is shimmering even when friends sit outside on a patio, while Martha is lying on a green resting chair symbolizing the harmony and rest, accepting her fate and ready for the afterlife.
In the midst of everything, a bright red door is haunted as a sign of danger.
In the movie Each color choice screams. The views are like paintings, each detail is carefully considered. Not everything is unable to internalize everything and can not internalize. That’s why you have to return to that rental house again.