The Canarian artist Quevedo arrives in Madrid this Monday, February 17 with his “reggaetonized” new album ‘good night’ in which he will be the first three concert he will offer in the capital.
Although it began announced seven unique Spanish cities through which its tour this 2025 will pass, the canary has added dates as the poster of ‘Everything sold’ has been hanging, in addition to confirming stage in Latin America: it will make fourteen ‘shows’ in twelve countries different.
Specifically, Quevedo will arrive in Madrid, in addition to Monday, on Tuesday 18 and Wednesday, the 19 October 2.
In this concert, the artist of ‘Playa del Inglés’ will present his second studio album, ‘Good evening’, in which he has “reguetonized” his new way of life with 18 songs among which are collaborations with Aitana or with the Yung Beef Granada Trapero.
“I find it hard to sleep, at that time of insomnia, I like listening to music and putting full albums. This album is the tour between you realize that you have insomnia and until you sleep again,” explained the artist in statements to the media.
The work is based on several pillars and what happens at night-the party, the recordings in the study, the conversations or the silence in the street-is what makes it the happiest and also when it is most productive.
Thus, elements such as red carpets, brightness, gold, time, sex or love are themes that the artist repeats throughout the work in the USA letters closest to the reggaeton on pop bases of the first years Of the 2000, a tribute to artists such as Jason Derulo, Justin Timberlake or Pitbull, who signs another of the collaborations.
“There are many themes of the album in which the reggaetized language I have brought it to songs that marked me, iconic. Maybe they are not personal lyrics, but everyone will be able to feel identified with mini things,” added Quevedo.
‘Good night’ opens and closes with a vision of pessimistic fame, although the artist has recognized that in this album he wanted to show “the beautiful” of his work, which is his dream. Thus, in ‘Kassandra’ shows that vision through passion with a woman who understands her and shares that feeling, because she also lives fame closely. “Always accompanied / but always alone,” sing the artist.
Similarly, work ends with ‘good night’, in which fame is somewhat more lonely. “It is a relief, an open letter with a different sound. It is the issue that solves all the personal questions that people have of me,” Quevedo explained.
Precisely, with pop base and battery and guitar sound, the artist shares intimate thoughts such as missing his mother, the love-hate relationship with tours and concerts, or the need to do “commercial” things to sound in all The sites. “Knowing that if I get out of my chest, it will not sound on the radio,” the Canarian sings in another of the album’s songs, ‘how disgusting everything’.
Collaborations with Aitana, Yung Beef, Pitbull or Rels B
The first part of the album, as explained by the same artist, is “super explicit” or even “superficial”, although in the second half, Quevedo shows a “fuller content.”
With Aitana, in ‘Gran Vía’, the artist approaches the sound of Catalan, and both sign a pop theme with musical references to the 80s, although this record changes completely in ‘La 125’ with Yung Beef or ‘Equal’.
“Although at first glance Yung Beef and I don’t have much to do, I think it is a way of giving recognition for everything that has been for the Trap in Spain,” Quevedo said.
Precisely, ‘Halo’-theme that is called the Halo bullets-is an issue that signs with its friend and artist La Panther and continues with that style of “Maleanteo” that begins in collaboration with Yung Beef. “It is one of the most special songs for me. We are playing to be Gansgter,” Quevedo joked.
Thus, ‘hard’; ‘Chapiator.com’; ‘Back’; ’14 Febreros’, with the artist without a name; and ‘Mr Mondial’, with Pitbull, make up that first “explicit” part of the album, while ‘Noemú’; ‘Shibatto’; ‘The days counted’, with relas B; ‘The chorus’; ‘Dawn’, theme that signs with De la Rose and La Ghetto; ‘I failed’, with Sech; And ‘Good evening’, they give the most personal sense without moving away from the reggaeton bases mixed with electronic music or ‘hyperpop’.
“The things I do cannot do them anyone, not because they are very complicated, but because they are mine, only,” the artist concluded.