Fifty works by Giorgio De Chirico They tell the evolution of his art in almost 50 years of activity. It is the exhibition ‘Giorgio De Chirico – the value of the figure’ that will be open to Palazzo Grifoni in San Miniato (Pisa) from 22 February to 23 March. The exhibition, promoted by the San Lorenzo art house to celebrate its thirty years of activityis curated by Professor Lorenzo Canova, historian and art critic, professor of History of Contemporary Art at the Universities of Molise and Perugia, and a member of the Scientific Council of the ISA and Giorgio De Chirico Foundation, an entity dedicated to enhancement and the Promotion of the master’s artistic heritage. Admission is free. (PHOTO)
The exhibition consists of over 50 works, coming from renowned private collections, museums and prestigious foundations of art, covering a time span from 1930 to the end of the 70s. This period, known as post -metaphysical, is marked by a profound reflection on the art and meaning of artistic creation itself. The works on display not only represent a journey through the master’s pictorial techniques, but also an open window on his creative process. Work will be visible made with different techniques, from the china to be acquerello, from the oil pencil to canvas, each of which highlights the extraordinary capabilities of De Chirico and its innovative approach to painting.
One of the most fascinating aspects of the exhibition is the analysis of the various artistic phases of De Chirico, with particular attention to his Baroque period. This section contains works that portray horses, knights and castles, iconic elements that characterize its visual language. The horse, in particular, plays a central role in his work. De Chirico represents him in a variety of poses, capturing the movement and anatomy of the animal with a skill that testifies to his in -depth study on form and dynamism. His representations of horses are not only static images, but tell stories of nobility and of epic ride, evoking a sense of greatness and mystery.
Looking at these works, the visitor will have the opportunity to immerse himself in surreal and dreamlike environments, where time seems to have stopped. De Chirico’s post -metaphysical compositions offer a profound reflection on existence and absencecreating spaces that speak of nostalgia and introspection. The paintings of Venice, in particular, will express his love for the lagoon city, portraying it at various times of the day, capturing the light that dance on the water and the reflections that mix with the unique architecture of the city. The exhibition aims not only to celebrate an artist but to involve the public in a visual and sensory experience that invites contemplation. Each work is an open door on a world of meanings, an invitation to explore the thought of De Chirico, his poetics and his vision of art.
House of Art San Lorenzo intends to pay homage to a teacher who has known, with his art, questioning and interrogating the world, leaving an indelible imprint in the history of contemporary art. The exhibition will be accompanied by a catalog full of essays and critical insights, including those of Francesca Boglolo, Ivan Quaroni and Canova himself, who will guide the visitor through the metaphysical labyrinth of De Chirico, making this exhibition an unmissable appointment for fans of art and culture.
The exhibition takes place within the headquarters of the Cassa di Risparmio di San Miniato Foundation and has the support of the Crédit Agricultural Credit Institute Italy, together with the patronage of the Tuscany Region and the Municipality of San Miniato.
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