The complete list of César, with the triumph of Emilia Pérez

50^e Ceremony of César awarded its 24 statuettes on Friday evening to the best sets, costumes, visual effects, films, actors and directors of the year 2024. The Comte de Monte-Cristo was a favorite with his record number of 14 nominations, followed by Love phew (13) then Emilia Pérez (12). But the adaptation of Alexandre Dumas could not do anything against the scroll compressor of Jacques Audiard. With seven trophies, including the film, adaptation and production, Emilia Pérez Crush competition and save the honor for the Oscar race. France has not disowned its champion.

The César also kissed Souleymane’s story portrait of a Guinean immigrant meal delivery man. Four compressions (best scenario, editing, supporting role and male revelation) rewarded this film which falls in the middle of a debate on immigration. Portrait of rural France and young farmers, Twenty gods Makes the double best first film and female revelation.

It’s the grimace soup to Love phewwhich converts only one of his appointments (Alain Chabat, supporting role), and a camouflet for The Comte de Monte-Cristoconfined to two technical categories (sets and costumes). Named eight times, Mercy et A fanfare leave empty -handed.

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Emilia Pérez, César for best film

Emilia Pérez Receives the César for the best film. Jacques Audiard’s feature film was in competition against The Count of Monte-Cristo, with a fanfare, the story of Souleymane et Mercy.

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Hafsia Herzi, César for best actress

Hafsia Herzi receives the César for the best actress for Borgo. She was in competition against Adèle Exarchopoulos in Love phew, Karla Sofia Gascon Dans Emilia Pérez, Hélène Vincent in When the fall comes and Zoé Saldana in Emilia Pérez.

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Karim Leklou, César for best actor

Karim Leklou receives the César for best actor for Jim’s novel. He was in competition against François Civil in Love phew, Benjamin Lavernhe in A fanfare, Pierre Niney in The Comte de Monte-Cristo and Ahar Rahim in Mr. Aznavour.

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Jacques Audiard, César of the best achievement

Jacques Audiard receives the César for the best achievement for Emilia Pérez. He was in competition against Gilles Lellouche for Love phew, Matthieu Delaporte, Alexandre de la Patellière for The Comte de Monte-Cristo, Boris Lojkine for Souleymane’s story and Alain Guiraudie for Mercy.

Southern engaged, César for the best documentary short film

Southern engaged receives the César for the best documentary short film. He was in competition against Petit Spartacus et A lost heart and other dreams of Beirut.

Gilles Perret, César for best documentary film

Gilles Perret receives the César for the best documentary film for The Bertrand farm. He was in competition against La Belle de Gaza, Bye Bye Tiberiades, Dahomey, Ernest Cole, photographer et Madame Hofmann.

Paul Guilhaume, César for the best photograph

Paul Guilhaume receives the César for the best photograph for Emilia Pérez. He was in competition against Love phew, The Count of Monte-Cristo, the story of Souleymane et Mercy.

Franck Dubosc, César of “the actor who has never had a Caesar”

Franck Dubosc receives the (tiny) Caesar of “the actor who has never had a Caesar”.

Clément Ducol and Camille, César of best original music

Clément Ducol and Camille receive the César for best original music for Emilia Pérez. They were in competition against Love phew, the count of Monte-Cristo, the most precious goods et Twenty gods.

Cédric Fayolle, César of the best visual effects

Cédric Fayolle receives the César from the best visual effects for Emilia Pérez. He was in competition against The beast, the count of Monte-Cristo et Mr. Aznavour.

Xavier Sirven, César for best assembly

Xavier Sirven receives the César for the best assembly for Souleymane’s story. He was in competition against Love phew, the count of Monte-Cristo, Emilia Pérez et The story of Souleymane.

Alain Chabat, César for best actor in a supporting role

Alain Chabat receives the César for best actor in a supporting role for Love phew. He was in competition against Bastien Bouillon in The Comte de Monte-Cristo, David Ayala in Mercy, Laurent Lafitte in The Comte de Monte-Cristo and Jaques Develay in Mercy.

Flow, César for the best animated film

Flow, the cat that was no longer afraid of water Receives the César for the best animated film. The film was in competition against The most precious goods et Wild.

Beurk!César for the best animated short film

Beurk! Receives the César for the best animated short film. The short film was in competition against Gigi et Papillon.

Nina Meurisse, César for the best actress in a supporting role

Nina Meurisse receives the César for the best actress in a supporting role for Souleymane’s story. She was in competition against Elodie Bouchez in Love phew, Anaïs Demoustier in The Comte de Monte-Cristo, Catherine Frot in Mercy and Sarah Suco in A fanfare.

Boris Lojkine and Delphine Agut, César for the best original script

Boris Lojkine and Delphine Agut receive the César for the best original script for Souleymane’s story. They were in competition against Borgo, with fanfare, mercy et Twenty gods.

Maïwène Barthelemy, César of the best female revelation

Maïwène Barthelemy receives the César for the best female revelation for Twenty gods. She was in competition against Malou Khebizi for Raw diamonds, ​​​​​​​Megan Northam pour Rabia, Mallory Wanecque for Love phew and Souheila Yacoub for Planet B.

Emilia PérezCaesar of the best sound

Emilia Pérez receives the César for the best sound. The film was in competition against Love phew, the count of Monte-Cristo, the story of Souleymane et A fanfare.

Thierry Delettre, César of the best costumes

Thierry Delettre receives the César of the best costumes for The Comte de Monte-Cristo. He was in competition against Love phew, Emilia Pérez, Mr. Aznavour et Sarah Bernhardt, la divine.

Jacques Audiard, César of the best suitable scenario

Jacques Audiard receives the César for the best scenario suitable for Emilia Pérez. The director, of which it is the third trophy in this category, was in competition against The Comte de Monte-Cristo et The most precious of goods.

The area of ​​interest, César for the best foreign film

Jonathan Glazer receives the César for the best foreign film for The area of ​​interest. The director was in competition against Anora, the seeds of the wild figure, the apprentice et The Substance.

Stéphane Taillasson, César of the best sets

Stéphane Taillasson receives the César of the best sets for The Comte de Monte-Cristo. He was in competition against Love phew, Emilia Pérez, Mr. Aznavour et Sarah Bernhardt, la divine.

Twenty godsCaesar for the best first film

Twenty gods Receives the César for the best first film. The feature film was in competition against Raw diamonds, ghosts, the kingdom et A little extra thing.

The man who was not silentCésar for the best fictional short film

The man who was not silent Receives the César for the best fictional short film. The documentary was in competition against Boucan, which belongs to Caesar et Queen Size.

Abu Sangare, César of male revelation

Abu Sangare receives the César of male revelation for his role in The story of Souleymane.The actor was in competition against Adam Bessa for Ghosts, Malik Frikah for Love phew, Félix Kysil for Mercy, Félix Kysil for Mercy and Pierre Lottin for A fanfare