By participating in soloist in the sensory show Inside Vivaldi: The four stationsviolinist Felipe Bermúdez (City of Puebla, 1994) will play for the first time music by the Italian composer, author of this waterproof and orchestra works. Despite being a well -known repertoire, I had not approached it
he points out when referring to the production that will be presented on Thursday and April 17 at the Centennial Theater, in Coyoacán, where he will be accompanied by a camera group of nine carriers.
Member of the Symphony Orchestra of the State of Puebla, for Bermúdez One as a musician is always aware of his technical abilities and this repertoire is, so to speak, within my possibilities
. That is why he accepted the invitation of the cornist Ginger Cordero, through Seven Waves Productions, with whom he has collaborated as a orchestra musician.
Bermúdez summarizes his approach to The four stations in Try to decipher the technical issues of the score through the slow study, piece by piece, reviewing the places that do not go well. Repeating until you achieve the best result
.
Point out: As a musician there is always a more demanding repertoire than another and we are always preparing. Every day there will be greater challenges. There are works that can sometimes exceed technical capabilities momentarily, because just being in a continuous preparation, it seeks to reach a certain level to touch more and more. In the case of Vivaldi, it is something that I have practiced, I think I can achieve it sufficiently well
.
For the violinist it is “very satisfactory to reproduce music that is known as always and that, however, I had not interpreted. I remember when I started with the violin and I managed The four stations”.
The sensory show in question part of a proposal of Ginger Cordero to do a concert Beyond the conventional
. What is tried is that the viewer has an immersive experience. For this, images will be projected and there will be explanations of the texts that accompany the work. There will also be some sound as background along with music. Through all these elements it is intended to create an experience different from what a conventional concert is ”.
When Bermúdez was accepted at the Carlos Chávez School orchestra of the National Musical Development System, he became a fellow of the National Fund for Culture and Arts. From there I began to reap a certain experience because we work symphonic works of high caliber, with very good directors
.
By graduating from school and the orchestra, he was a member of the Eduardo Mata University Youth Orchestra, from UNAM. A little over a year ago he entered the Symphony Orchestra of the State of Puebla.
Inside Vivaldi: The four stations It will be presented on Thursday at 7:00 p.m. and April 17 at 9:00 p.m. at the Centennial Theater (Centenario 159, Colonia del Carmen).