Music|The RSO is agile and professional, but it does not have the history and reputation of Gewandhaus or Orchestra Dell’Accademia di Santa Cecilia, explains BR classic critic.
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Conductor Esa-Pekka Salonen and RSO Hovanšchina Interpretation at the Salzburg Easter Festival receives criticism.
The BR classic critic considers RSO to be professional, but needs a more historical orchestra.
Kronen Zeitung’s critic criticizes Salonen’s leadership as enthusiastic and the RSO calling too gentle.
Both critics are waiting for the Berlin Philharmonic coming next year.
Salzburg The conductor of the Easter Festival will be visited by the Easter Festival Esa-Pekka Salonen and the radio symphony orchestra will receive crushing estimates BR classic that is, from a critic of the Bavarian broadcasting company and an Austrian Kronen Zeitung from the critic of the newspaper.
RSO and Salonen are in Salzburg playing Modest Musorgskin Hoving— Opera as an orchestra Simon McBurneyn under new guidance.
The production premiered on Saturday 12 April and the second presentation was Monday, April 21. Between opera performances, RSO and Salonen play concerts at the festival.
Neither The critic does not warm up to McBurney’s guidance, which is looking for connections between historical events depicted by Musorgsk and the present. This is a co-production with the New York Metropolitan Opera, which, according to the design of the stage, will not use the area of Salzburg’s Festspielhaus stage.
Br classic critic Walter Weidringer Also, you don’t get enthusiastic about the singing and find only a few light spots on it.
Weidringer describes the radio symphony orchestra as agile and professional. However, he does not like the orchestra because he does not have the history and reputation of the Leipzig Gewandhaus Orchestra or Roman Orchestra Dell’Accademia in Salzburg in recent years. Weidringer barks at Esa-Pekka Salonen’s musical vision too objective and clean, and there is no Russian patho needed in music.
However, the audience was deeply impressed, Weidringer concludes his criticism.
Kronen Zeitungin critic Stefan Musil Criticize Salonen’s leadership as enthusiastic and the RSO calling too gentle.
Both critics consider RSO to choose the Easter Festival as an Easter Festival orchestra and are waiting for the Berlin Philharmonic to arrive next year.