When winter in Berlin doesn’t want to end, many people flee, at least internally, into the wide world. With the Berlinale, the largest public film festival on the planet, this is possible for a few days. But how do you get the coveted tickets for one of the 236 films, ideally for a specific film? Some of the drama of the festival already takes place in advance booking – even if there are no longer any physical queues, only virtual ones. Every year in February, cinema fans ask themselves: What do I want to see, and if so, with how many? And what’s the easiest way to get good cards? It’s high time for our ultimate guide: Here’s how to get to the canvas of your dreams in ten steps.
1 Browse through the program
Descriptions of all films and series can be found on the Berlinale homepage. At www.berlinale.de you can mark your favorite films and organize them in a timetable. It was once even easier in the practical app, which the Berlinale abolished for whatever reason. If you prefer a more tactile experience, you can browse through the Berlinale program that can be browsed through, which was already included in the Tagesspiegel and is available in the participating cinemas and at Potsdamer Platz. Many Berlinale ultras create rankings of films that they definitely/maybe/under certain circumstances want to see. If you can’t find a ticket or time for a must-see film, swipe over to a maybe candidate. But you only see what he’s really like on the date in front of the screen.
2 Find films
When sorting out, it’s always best to follow the ranks, and the Berlinale has quite a few of them. The official competition is now also daring to do more unconventional things. The three-hour drama “Dao” from France, Senegal and Guinea-Bissau sounds quite promising. The program says about the film: “Actresses and non-actors are cast and brought together to celebrate a wedding together as relatives in Paris and to mourn the death of the head of their family together in Guinea-Bissau. As they travel back and forth between these two worlds, individual stories and shared cultural roots are interwoven through fact and fiction.”
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