The abundance and scarcity of food, the work of Itamar Gilboa on display at Mic Faenza

An installation that ‘speaks’ about the paradox between abundance and scarcity of food in the contemporary world. It is ‘World of Plenty’, curated by Alessandra Laitempergher and created specifically for the International Museum of Ceramics (Mic) Faenza, set up in the Project Room of the museum from 1 March to 26 April. The work marks a new chapter in the investigation in which, for over 15 years, the Dutch artist Itamar Gilboa has been deeply engaged in issues relating to food systems, environmental responsibility and global inequality. His long-term research began with the Food Chain Project (FCP), an autobiographical investigation of personal consumption that evolved into a critical reflection on global food distribution, waste and scarcity. This ongoing commitment to systemic research led him to be invited to create a major work of art for COP26, the United Nations Conference on Climate Change held in Glasgow, where his work contributed to the international debate on the relationship between climate change and food waste, reaching millions of people around the world and strengthening the link between environmental crises and food systems.

Using cutting-edge neuroscientific technologies, Itamar Gilboa combines ceramic sculptures and video to investigate the physical, neurological and social dimensions of hunger. ‘World of Plenty’ invites viewers to confront the devastating reality of hunger. At the center of the installation are 260 ceramic sculptures representing brain cells, corresponding to the number of people who starve every 15 minutes, the time it takes to eat a quick meal, take a break between meetings or visit an exhibition.

Using functional magnetic resonance imaging (fMRI), the artist analyzes his own brain activity under hunger stimuli, developing three-dimensional models that were 3D printed and transformed into ceramic sculptures. The works rest on handmade tiles that represent sections of the artist’s brain, evoking both biological vulnerability and the social collapse produced by inequality. A screen shows the real-time count of the victims of hunger – lives reduced to numbers – while the first part, the first chapter of his new film ‘World of Plenty’, which premiered, is characterized by the sound of falling drops marking the passage of time.

The installation merges personal and collective experience, moving the viewer from individual perception to shared awareness, making it impossible to ignore the hunger crisis.

“I started this project in 2020, when hunger was already one of the world’s most pressing challenges,” says Itamar Gilboa. “Today, the situation is even more critical. Around the world, communities face catastrophic food insecurity as the United Nations’ Zero Hunger goal of ending hunger by 2030 drifts further away. World of Plenty is a cry of alarm, a refusal to accept hunger as normal.”

The project was designed and created specifically for MIC Faenza. The ceramic sculptures were created in collaboration with Aida Bertozzi / Casa degli Artisti, ensuring the highest level of craftsmanship. At the opening of the exhibition, Gilboa will present a live performance in dialogue with Part One, the first chapter of his new film, premiered for the occasion.

By Editor

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