A smartphone designed for travelling, not just for shooting. This is the positioning with which OPPO presents the Reno15 Series in Italy, defining it as a “travel camera phone” built around photography, video and editing tools.
“In Italy, traveling is more than simply moving: it is a real cultural ritual,” explains Jessica Chuang, head of marketing for the Chinese company in Italy. The insight is that more and more people use the photo as a personal language: “They want tell about their travels in an authentic, spontaneous and meaningful way.”
Seize the moment
Hence the idea of a device that “does not just take photos, but travels with you”, capable of capturing “the essence of a place, a face, a moving moment without interrupting it”. In support, integrated editing, long-lasting battery and fast charging, to continue exploring without missing a sunset or an unexpected encounter.
Who is Reno15 aimed at? “To those who live in the moment, creating and sharing while experiencing the world,” explains Chuang. The main target is content creators: users who “don’t just capture what surrounds them, but build stories in real time”, and seek simple and versatile toolsfrom the spontaneous selfie to the dynamic video to the personal vlog.
But the “travel” cut is also designed for those who move in everyday life: a smartphone designed to “accompany movement”, adapting to “different rhythms and contexts”.
Artificial intelligence made easy
Artificial intelligence chapter: the promise is to avoid technicalities. “Our approach is very simple: AI must be synonymous with simplicity,” says Chuang. The AI, they explain, works “discreetly and naturally”, adapting to light and environment in real time to balance exposure, contrasts and preserve natural colors.
Among the functions most focused on is AI Motion Popout: “it allows you to bring photos to life literally making the main elements ‘come out’ of the frame”, for a more dynamic and interactive result.
On the photographic sector, two pillars: ultra-wide selfies and canvases for portraits. The choice, here, is not to choose: “Italians love selfies but also portraits: they are two sides of the same coin” says Chuang.
The selfie as a social gesture
The frontal wide angle responds to the need to include friends and context, because the group selfie remains “a social gesture, almost a ritualThe telephoto, on the other hand, focuses on portraits with a more professional and natural appearance, isolating the subject “with clarity and precision”, even in movement.
In a crowded market, the bet for 2026 is identity: “We want to be recognized as the brand that transforms technology in personal expression”. Not just performance, therefore, but “significant innovation” that “puts the human experience at the centre” and uses technology to amplify it.
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