The divorce between the La Fenice Theater Foundation e Beatrice Venezi turns into one head-on collision that goes beyond the boundaries of operatic world to invest directly parliamentary debate. After the decision of superintendent Nicola Colabianchi to interrupt every collaboration with the conductorthe reaction of Teacher and of oppositions outlines the picture of a incurable breakagemarked by accusations of mobbing and suspicions of political interference.
Through one official note, Beatrice Venezi he responded harshly to the resolution of the relationship with the Venetian theatreheralding a legal battle to clarify reasons of the dismissal.
Beatrice Venezi’s reply
“I take note of the declaration of the superintendent Nicola Colabianchi and of decision from the La Fenice Theater Foundationwhich will however need to be clarified in the motivations and which will have to be responded to appropriately,” she said director. Venezi then denied the accusations poor professionalismcounterattacking on the level of treatment received from employees dell’entity: “never missed and never will miss respect ai workers of no one theaterunlike what I received from workers of La Fenice in the last ones eight monthswhich have me constantly and systematically defamed, slandered, offense e bulliedsui social, newspapers, tvin Italia and throughout the worldwith the declared intent of damaging mine professional image and consequently mine career“.
The accusations of prejudice and caste
According to the Teacherl’hostility towards him would sink its roots in structural prejudices: “Just scroll Italian news and not only that, from the end of 2025 to note the reiteration harmful communication of the ‘respect’ due”. The use ends with a lunge against theestablishment culturale: “In Italia to be young it’s a handicapand then donna an aggravating factor. Mine is the success of one provincial girl that she made herself. And they don’t like this Complex“.
The attack of the Democratic Party
On the slope politicothe matter has become the subject of a harsh debate criticism by the Democratic Party. Irene Manzi, dem group leader in Culture Commission at the Cameraasked Massimo transparency on the fund management: “After statements of the same Beatrice Veneziit is clear that this affair it is far from closed and must be clarified thoroughly, including its own consequences. We will not accept that even a single one is wasted euro Of public resources“.
The accusations against the government and Fratelli d’Italia
Water answer the narration of the government who would like the choice of superintendent Colabianchi as purely management e independent. “The continuous emphasis today that the dismissal Of Beatrice Venezi dal La Fenice Theatre it’s a choice autonomous of the superintendent has all the flavor of one an apology was not requested. Giorgia Meloni this morning and returned in the afternoon – he continues Water — continue with this refrain as if to make one believe that that of Venezia it wasn’t a great one political operation failed of Brothers of Italy. They did everything to support and defend it, openly taking sides and taking a stand against the world of opera and of Italian symphony“.
Cultural institutions in the crosshairs
L’exponent of the PD he finally denounced what he defines as a system Of employment from the cultural institutions: “It’s the same schema That Brothers of Italy is applying everywhere: fill the boards of directors from the cultural institutionsstarting from museumscon figure related to local politics. It’s one bad page for ours cultural system. Other than that autonomy: we are faced with ainterference continue and systematic. And today we are trying to take them distances. In a way late e clumsy“.
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