After weeks of waiting, Act II of his trilogy Renaissance, has finally been revealed. It features 26 tracks, including collaborations with two country icons, Willie Nelson and Dolly Parton.
Beyoncé, world queen of R’n’B and pop, releases her first album labeled country music, nourished by her native Texas and highlighting the African-American influence in this popular genre with a very conservative image. Friday and after several weeks of waiting, the African-American singer, also actress and businesswoman unveiled the long-awaited Cowboy Carteract II of his trilogy Renaissance . She revealed yesterday, in an Instagram post, the titles of the 26 tracks that make up the album. Among them, two duets with country icons: the first with Willie Nelson on Smoke Hourthe second with Dolly Parton for a cover of Jolene.
At 42, Beyoncé became, even before the release of the album, the first black singer to rank a song at the top of the country charts, a very popular musical genre in the United States and traditionally associated with white men. With the success of the tube Texas Hold ‘Empunctuated by the sound of the banjo, and the single 16 Carriages, unveiled during the Super Bowl on February 11, black country artists hope to benefit from a spotlight. From her first female gospel and R’n’B group, Destiny’s Child, to her 2016 hit Daddy LessonsBeyoncé, wife of New York rapper and businessman Jay-Z, highlighted her native South and the influence of country on her music and style.
Conservative white musicians
This musical genre has always permeated the work of “Queen B”, whose worldwide triumph shakes up the traditions of country music rather associated with white and conservative musicians. According to music historians, the banjo, the original instrument of country, bluegrass and folk music, finds its roots in the Caribbean in the 17th century.e century, played then by black slaves deported from Africa to the Americas. Brought to the eastern United States, the banjo was taken up by white populations of Appalachia in the following centuries. “Black country” has always existed, but black musicians have been kept out of the genre.
Singer, author, dancer, producer, actress, Beyoncé is today the most successful artist in the history of the Grammy Awards, awards of the American music industry. But paradoxically, out of her 32 awards, she has never won best album. A controversy over the lack of diversity that her husband Jay-Z refueled by criticizing the music industry during the last ceremony, on February 5.
Beyoncé was also the victim of racism in 2016 after playing her country song Daddy Lessonsduring the awards of the association of this musical genre. “The criticism that targeted me when I set foot in country music forced me to go beyond my own limits”, she wrote recently on Instagram. This new album “is the result of the challenges I set for myself and the time I took twisting and mixing genres for this work”. In 2019, one of the songs of the year, Old Town Road by rapper Lil Nas Which caused controversy.
“Purely white country”
“As soon as a black artist releases a country song, the value judgments, comments and criticisms fly in a flock”castigated in the Guardian the folk and blues singer Rhiannon Giddens, present on the hit Texas Hold ‘Em. She denounced “people who try to preserve the nostalgia of a tradition [la country] purely white which never existed”. In recent years, black artists have still managed to break into country music, such as Mickey Guyton and Brittney Spencer.
A sign of this late recognition, Tracy Chapman’s famous folk and country song released in 1988, Fast Car, won Best Song 2023 at the Country Music Awards, but that was after white singer Luke Combs covered it. For Charles Hughes, author of the book Country Soul: Making Music and Making Race in the American SouthBeyoncé’s country period is “the claim of part of his musical identity and his roots in Houston”, the cosmopolitan metropolis of Texas. For the moment, “the white-dominated music industry and country music requires black and mixed-race artists to demonstrate sincerity and good faith”, continues the analyst. Over the past 15 years, Beyoncé “really turned to her Texan origins”insists Charles Hughes, which “provoked hostility from people saying ‘Oh, she can’t do country music'”.