Employment: sound professions are recruiting and with attractive salaries

“We don’t interpret a story. No, the actors are there to read a text to the word and the comma. Guided by a director, they adopt different intonations depending on the scenes and the characters,” summarizes Jean-Christophe Vareille, director of Rosalie. After recording the text, the soundtrack goes into post-production. Objective ? Clean the breaths, check the uniformity of the sound, insert music if necessary and of course check the conformity of the words with the author’s original text. Then, the file is sent to the client, the publisher of the work, who forwards his modifications to Rosalie’s sound engineers. For 10 hours of audiobook, that’s 20 hours of recording and 40 hours of post-production.